Colors of Aosta: a day in Gressoney-Saint-Jean

Woman and her son wearing the traditional costume of Gressoney Saint Jean for St. John's Day

Woman and her son wearing the traditional costume of Gressoney Saint Jean for St. John’s Day

Red and White, Black and Gold: The legend of Gressoney-Saint-Jean’s traditional women’s costume…

I recently spent a lovely Saturday and Sunday in the Val de Lys in Italy’s province of Aosta, which is near the north-western border with Switzerland. Here we stayed in a little cabin just above Gressoney-Saint-Jean and directly below Monte Rosa.

On Saturday, I had gone up just north of Biella with two friends (SO’s and families in tow) to take a spindle-spinning workshop. My husband and his brother had decided, as long as we were close, to take advantage of the first days of open ski-lifts in order to spend a few days climbing up to Punto Gnifetti. So, after the workshop we drove up to Gressoney-Saint-Jean, ate at the wonderful Brasserie Creperie Paul Verlaine where they told us that Sunday was the festival day of the town’s patron saint (St. John’s Day – 24 June). After a snug night in a lovely cabin under woolen blankets, my husband and brother-in-law went up the hill while his girlfriend, my daughter and I went down into town. What a beautiful scene! Everyone was decked out in traditional costumes, including a fellow wearing these fabulous socks:


Meanwhile, we’d picked up some information at the local tourist office and there was this dramatic story describing why the women (and some of the men) wear red, white and black…

Once upon a time all of the women of Gressoney-Saint-Jean wore black; for festivals they would wear either this or sometimes a blue or purple dress, always with a white broadcloth shirt and a black jacket. And so it remained until one day, tragedy struck. Legend tells that a mother had taken her flock out to pasture when her small son slid into a ravine.  Another woman, who was childless, saved his life while sacrificing her own. Broken on the rocks, her blood dyed her clothing red.

Since that day, in honor of her sacrifice, all of the women have worn red skirts to symbolize her blood, richly embroidered aprons and jackets that are black as the rocks that caused her death and blouses, pure white as the snow atop the mountains or the foaming waters of the Lys. The intricate golden filigree headdresses, often embellished with precious stones and proudly passed down from mother to daughter, are said to represent her golden hair. *

Who knows if the legend is true, but it does make for an excellent tale. After experiencing the town and watching St. Jean’s procession through the streets…

The procession of St. John by the citizens of Gressoney-Saint-Jean

The procession of St. John by the citizens of Gressoney-Saint-Jean

I feel inspired to make these socks in The Wool Box’s fabulous Oropa 1-ply. What color will I order? What else but Aosta Red!

Thanks for dropping by and happy wool-working!

*excerpted and translated from the document I Walser all’ombra del Monte Rosa: un tesoro fatto di lingua, tradizioni e leggende all’interno della Valle d’Aosta”


The (new) history of Italian Wool

The (new) history of Italian Wool. Let’s write it together!

Once you start paying attention, it’s clear that wool and wool working, especially at home, is becoming more popular all the time. It’s no longer a flash-in the pan trend as any quick scan of U.S. or U.K. based blogs, shops, or news stories will tell. So, what’s going on in Italy? Are they on trend or behind the times? Just yesterday I read a blog post from my favorite Italian wool Co-Op, The Wool Box, and found that official/government support is as slow and/or non-existant as ever but individual italians are coming up with innovative projects on their own and showing that inventive spirit that Italians from Leonardo to Giò Ponti have made famous.


I was struck by Manuele Cecconello’s moving, dramatic photo of Biella, which was, until relatively recently, one of the premiere centers of wool production and processing not only in Italy but also in all of Europe.


The following is translated from The Wool Box blog:

The time has come; the signs are all around us.


Interest in wool, in all of its varied aspects, is on the rise. From the raw wool all the way to the finished garment: the idea that it’s better to create it with your own two hands, is beginning to take hold worldwide. The U.S. has taken the lead in terms of both market stimulus and accomplishments and Northern Europe, thanks in part to an impressive promotional campaign supported by Prince Charles, continues to keep up the pace, producing a continuous stream of quality products.


And here in Italy? As we’ve come to expect, only after a trend has become well established are Italians ready to come out in the open and enjoy our portion of the limelight. Each one of us finally brings out the precious contributions that we’ve been working on in solitude, with passion, method and rigor. Unfortunately these valuable, carefully thought out projects, are rarely supported by officials or institutions, what a shame!


Still, wool continues to be an extraordinary raw material, not only for its physical characteristics but also because it’s a completely organic material and 100% biodegradable and therefore creates no significant negative impact on the environment. When wool is processed locally (at 0 km), or better yet at home, the carbon footprint is reduced to almost zero and, consequentially, its inherent value increases exponentially.

As we’ve always believed: passion, skill, know-how and rhythm.


So, here’s our proposal: let’s not wait for what’s already an established trend before joining the avant-garde in support of our own national initiatives.

With this goal in mind, here in Miagliano, in The Wool Box headquarters, we’ve established the “Comitato Amici della Lana (Friends of Wool Committee)”. We aim to promote wool-related cultural initiatives, research, teaching opportunities, sports and entertainment.

It’s an ambitious project and it requires the participation of our local community as well as artists, creative people, professionals and ordinary people, lots of ordinary people just like us; people who find in this amazing, natural material, a meaningful touchstone and a positive vision of the future.

Ideas, knowledge, work, creativity and development are the core concepts that characterize the goals and projects of the Comitato Amici della Lana.

Membership is, of course, completely free and simply supporting the ideal in and of itself (even from a distance) already constitutes a sustaining element of the project and serves as a ‘thermometer’ to gauge our awareness of…our future.

So, if you’re with us, let us know right away, become a member of the Friends of Wool Committee now.

You’ll be with us at the forefront of what in our near future will be the trend of the century…at least we hope so.


See you soon, and as ever, … happy wool-working!

Loaves and Knitting

Loafing around in the morning…

Ahh, I just popped this loaf of bread in the oven and I can already smell it baking. Breakfast will be served (with butter and cherry jam) in a half hour!

Cherry-peach preserves are ready to eat as soon as this loaf comes out of the oven!

Cherry-peach preserves are ready to eat as soon as this loaf comes out of the oven!

…and then ready, set, KNIT (my first commission!)

I received my first knitting commission last week for three (!) pairs of my workman’s gloves. I’m so excited! I’ve always knit for my family but this is an adventure in long-distance fitting as well – all three pairs of hands are in Texas at the moment.

ready, set, KNIT! Everything is set up for my first commissioned knitting project.

ready, set, KNIT! Everything is set up for my first commissioned knitting project.


This yarn is made from a mix of Suffolk wool from Umbria together with wools from Biella and Abruzzo. Made with natural, undyed fleece accented with flecks of marigold, grass green, fuchsia and pewter. Shearing year 2011. It’s the perfect weight for accessories such as gloves, hats, cardigans or scarves. Very durable and one of my favorites.

This yarn is made from a mix of Suffolk wool from Umbria together with wools from Biella and Abruzzo. Made with natural, undyed fleece accented with flecks of marigold, grass green, fuchsia and pewter, it’s the perfect weight for accessories such as gloves, hats, cardigans or scarves. Interestingly it’s both durable and luxurious, truly one of my favorites.

I have the first set of measurements, the pair I made to use as a model and 3 skeins of The Wool Box’s Morron Bouton, which is really what makes these gloves work.

I’m going to try and write my first pattern as well. I think I’ll need it if I’m going to knit three different sizes… We’ll see. Anyway, time to stop blogging and start knitting.

Happy wool-working!



100% Beautiful…Plaid week is back!

The Wool Box is having plaid week again!

It's plaid week again...just in time for a picnic!

It’s plaid week again…just in time for a picnic!

I don’t know if I can resist, these are so beautiful. I just got back from a fabulous spinning workshop and a super mini-vacation in the Aosta Valley. We stayed in a little ski chalet built in 1850, it was amazing – the quality of the wooden paneling, the brass door handles, the hand-carved stone heating stove – and all of the blankets were gorgeous woven wool. My advice: pitch those tatty old poly-fleece throws and get something that will keep you warmer and only become more beautiful with age.

Sizes from 60″ x 70″(150cm x 18cm) to 60″ x 60″ (150cm x 170cm). Prices from 35 to 65 euro…that’s less than the cost of a good lunch out with your best friend folks…I say, get one of these instead and pack up a picnic :)! Info from The Wool Box is translated below:

Plaid week is back!

The sun is out the sky is blue; it’s time for outings, mountain jaunts and picnics in the dappled shade of woodland glades.

And, just in case the wind picks up and threatening clouds form on the horizon; tuck the food back into the basket and voilà! These luxurious and durable woolen blankets transform into a warm cover against the storm.

Use them as you wish: as durable traveling companions, for a warm cuddle on the sofa, as improvised tablecloths on which consume sandwiches and happiness, as a last-minute shawl or an emergency beach tent to keep off the summer sun (… no coincidence that the desert Tuareg dress in wool). You can use it wherever and however you wish and it’s sure to become a priceless companion both in your daily life and your exceptional adventures.

100% wool, 100% traceable, 100% short supply-chain products, 100% made in Biella, Italy, 100% beautiful.

Approximately 1 kilogram of woven fleece, at the price of yarn in skeins

Incredible isn’t it? See you at the picnic!

Made of 100% Italian, hand-sorted, Biella wool. Only the finest fibers have been used to create this throw, which reflects the autumn colors of Burcina's Pollone Park.

This one’s my favorite! – Made of 100% Italian, hand-sorted, Biella wool. Only the finest fibers have been used to create this throw, which reflects the autumn colors of Burcina’s Pollone Park.

Spinning with excitement!

Spinning workshop tomorrow!

I’m so looking forward to attending The Wool Box’s class for beginning drop spindle spinners at the splendid Villa Piazzo in Pettinengo that has this fabulous view:

Third Paradise Garden

Third Paradise Garden

I attended my first hand spinning class last year – at the Kid n’ Ewe in Borne, TX – as a gift from my amazingly talented mother, the Texas fiber artist Sara Crittenden Coppedge. She and I had loads of fun learning how to handle top-whorl spindles and BFL fiber from the charming and adept Seth Bruce.  I took my spindle and some fluff back to Italy and I have continued to spin even more since I came across the wonderful variety of fluff, carded and combed roving available from The Wool Box. With some practice, the quality of my yarn has improved.

The next step…

Now I feel ready for a little more information and some new techniques. The 6 hour course will offer a general review of fiber basics. Spinning of single strands with the use of a variable gravity spindle*. Plying 2 strands to make 2-ply yarn. Practical exercises to familiarize yourself with the technique. Practice spinning different types of fiber: raw fleece, combed fleece, carded roving and ‘fluff’. Preparation of fibers for making sample yarn. Creating yarn samples with two strands. Practice making yarn with more than 2 strands and an introduction to ‘artistic’ techniques….ooh, I can hardly wait! (and it’s only costing 55 euro with materials included!)

If I’ve understood correctly, they’ve also promised a sneak peak at some rare luxury fibers: Camel, Cashmere Ultra fine, Qivuit, Musk Ox, Yak (brown & white) and YangirThey look quite enticing…

Beautiful rare fibers. From top left: Camel, Cashmere Ultra fine, Qivuit, Musk Ox, Yak (brown & white) and Yangir.

Beautiful rare fibers from The Wool Box. From top left: Camel, Cashmere Ultra fine, Qivuit, Musk Ox, Yak (brown & white) and Yangir.

Then there’s the new ‘variable gravity spindle’ and the 100 grams of fiber that comes with the course. Having only ever worked with an Ashford top-whorl 90mm (3½ins), 80gm (2¾ozs) drop spindle – which is quite heavy – and the one I made for my daughter – which is quite light – I’m curious to try something different…

So I’ll be taking my camera and my notebook, along with two English-speaking friends, up into the Alpine foothills on the other side of the lake. The lunch, prepared from garden produce grown on the villa grounds, promises to be lovely as well. I wish you were all coming with me! I’ll let you know all about how it went it next week.

Meanwhile, happy wool-working!

*patent pending

Wrapping up Winter’s last WIP and The Incredible Gloves

Hybrid Finnish/Scottish Kilt Hose - Finished at last!

Hybrid Finnish/Scottish Kilt Hose – Finished at last!

Wool socks in June?

Back in May I blogged about how I was determined to finish these socks over the weekend. I missed my deadline by a day but then realized that, since these were part of my husband’s birthday gift, perhaps I was better off keeping them on the bottom of my knitting basket and off my blog until the big day. So here they are, making their debut after months in the knitting (due to giving other projects precedence as they weren’t hard or time consuming to make). And yes, it is June and these are made of really densely knitted, durable wool…where is he going to wear them? Hiking up Monte Rosa of course! There’s still plenty of snow up on the glacier and this way at least I know his feet will be warm. Although I was initially worried by the weird look of the reinforced ‘Dutch’ heel and the stiffness of the fabric when these were fresh off the needles, they washed and blocked out beautifully.

The Wool Box’s Morron Bouton :  the superhero of Italian wool

Workman's fingerless gloves in Morron Bouton from The Wool Box - amazingly durable.

Workman’s fingerless gloves in Morron Bouton from The Wool Box – after 6 months of hard wear.

Detail of repairs made to the palm of the workman's glove after a screw went awry.

Detail of repairs made to the palm of the workman’s glove – while working on an interior restoration in Venice, a screw went awry and left a few holes that I repaired with some hand-spun.

This yarn, which comes in two weights (a light and a chunky), is an excellent choice for anything that needs to last. At Christmas I gave my husband a pair of fancy, fingerless gloves knit up in Berroco Alpaca Ultra Fine on U.S. #1’s. He was so pleased with them that he didn’t want to take them off; but, my husband is an artist and a custom furniture designer in addition to doing restoration work on historic interiors here in Italy. He needed a pair of gloves he could wear every day that would stand up to steel and wood, loading and unloading materials in rain and snow while still keeping his hands warm and the tips of his fingers free for texting and making phone calls (something he’s always doing). Morron Bouton proved itself to be the superhero of Italian wool, these workman’s gloves that I knitted up in January have survived hard use up through the end of May and they’re ready to go back to work in October. And, despite being such a tough wool, it never once irritated the tender skin on the inside of his wrists.

Do you see the luster in this yarn…6 months of abrasion, 8 hand washings in soap and warm water and not a single ‘pill’ and no sign of felting! At less than 9 euro per 200 yard skein (I ordered two and made one sock and one glove with each skein) I’d say that’s an incredible bargain. Do you have a ‘superhero’ wool?

Almost! One down and one toe to go…

Quince&Co Castle pullover in the Wool Box's Laga is finished!

Quince&Co Castle pullover in the Wool Box’s Laga is finished!

One toe shy of meeting my weekend challenge!

You can’t win them all…but I am very happy with the finished ‘Castle Pullover’. I did finish it on Saturday and have it blocked and dry in time to wear to my daughter’s kindergarten graduation party on Sunday afternoon (patted with a wet wash-cloth on both sides and then rolled up carefully in a dry towel and placed on top of the radiator overnight works great for me). It fits great, the yarn does not itch at all, even next to bare skin. I sat in the sun for 3 hours and didn’t get hot! In my book this was a Spring Knitting Project home run. I washed it in tepid water with a little Winnie’s Wool-wash this morning and it’s still looking great; Laga holds it’s shape magnificently. I was so pleased with this project that I’m thinking of making a ‘mini-castle’ for my daughter…she want’s pink so I may have to figure out how to dye ‘laga’ with something like madder root from Renaissance Dying.

Catch 22 (rows)…

Meanwhile…the socks. So close and yet no toe! I thought that the kindergarten celebration would be over about 5:30…we got home about 7! It was wonderful and the kids had a great time, the sun was finally out… but, the last little bit of my sock was longer than my little girl’s patience so I put it down to read her bedtime story and we both promptly fell asleep. I have only 22 more rows to the end of the toe and I swear that it will be done tonight before I go to bed!

Thanks for reading and happy wool-working!

Where there’s a weekend there’s a way (to finish at least 2 WIP’s)!

Hybrid Highland Hose in Morron Bouton

Hybrid Highland Hose in Morron Bouton

Hybrid Highland Hose…Scotland and Finland meet in a pair of socks:

I wanted to make a pair of heavy duty socks for my husband who gives his socks pretty rough wear. The yarn I wanted to use, “Morron Bouton” from The Wool Box, comes in two weights (a light and a chunky) and I chose the thinner. It knits up soft on U.S. 6-8 (4mm-5mm) needles but I purposely chose a U.S. #3 to get a stiff fabric. I could have gone up a size but I didn’t have DPN’s in the right size and consequently I broke one of my #3 Hiya-Hiya bamboo needles halfway through the first sock (my bad)! At least they come with 5 in the package so it didn’t stop me from getting along with the project. I have already made my husband a pair of fingerless work gloves with this yarn and it wears wonderfully even under hard use and still becomes softer and more lustrous with every washing.

The color reminded me of the Kilt Hose pattern I’d seen in Nancy Bush’s “Folk Socks” but there was no way I was going to get that gauge with this yarn; besides, I wanted the fully-reinforced, dutch heel of her Finnish Socks. So, I used the Finnish sock pattern (p.97) for the construction of the heel and foot while I modified the leg pattern from the Kilt Hose (p. 109) and did a simple 1×1 rib at the top. I am 3/4 of the way through the second sock, heel turned and ready to complete the foot and toe. I will finish today even if I have to take it to bed with me!


Knitting Castles out of ‘Gran Sasso’ wool:

I had ordered some new yarn for spring projects and it was love at first sight when I saw this pattern on Ravelry. I downloaded the pattern only to find that my yarn knit up at a larger gauge; but in the end I was happy with that as the sizes offered by the pattern were not exact for me (34” bust is too small and a 38” too big). As it is my gauge worked up at 19 st and 25 rows = 4” on US 7 (4.5 mm). This gauge change made the collar a bit wider (and looser) than I want, I tried (unsuccessfully) to make a knitted facing with a narrow-gauge yarn but I’m going to have to resolve that with a bit of grosgrain ribbon facing on the inside once it’s done. At least two other ravelers who’s notes I read later (sigh) had the same problem so at least I’m not alone.
I’m not an experienced lace knitter and this pattern is EASY; however, as I went along with the lace I discovered it’s also VERY easy to lose or gain a stitch and VERY frustrating to pick out a whole row because the mistake was made at the beginning, so I started counting out the repeat (9 st). Since I started counting the lace is moving along much faster without any errors (cross fingers and knock on wood)! Should be finished soon, I’m aiming for this Sunday. Deep breath, it is doable, I only have another 5 inches of lace before the bottom and it does knit up fast.

Quince&Co. Castle Pullover knit in The Wool Box's Laga

Quince&Co. Castle Pullover knit in The Wool Box’s Laga

As for the yarn…I LOVE LOVE LOVE ‘Laga’, it works up like a dream. It’s a 100% Italian wool from 2012 shearing from the sheep that pasture in Abruzzo’s Gran Sasso national park in the Laga mountains. Soft and still smelling like the Apennine pastures it is an excellent example of a fine wool produced entirely in Italy. This wool is blended from several merino breeds to produce a yarn that is both soft and structured. It’s a warm straw-cream colour that I want to make it into cardigans, socks, some beautiful ‘aran’ cabled gloves, a dress, underwear! Really anything that needs the stitch-work to take center stage. The castle pullover sweater has taken only 1-1/3 skeins so far and I’m already planning what to do with the skein and a half that I’ll have left over. Meanwhile, I have gifted a few skeins to friends to see if they love it as much as I do.

I’ll let you now if I manage to finish these two this weekend. Wish me luck and happy wool-working!

Somewhere Over the Rainbow Sweater

One of my hand-spun skeins and three beautiful colours from Renaissance Dyeing

One of my hand-spun skeins and three stunning colours from Renaissance Dyeing

French wool, Italian Know-how, Natural dyestuffs:

Having read about the Wool Box’s fabulous dyeing workshop the first weekend in June, I couldn’t resist ordering some wool from Renaissance Dyeing dyed by Andie Luijk herself. You know how it is, we see something on the web but that’s a world away from the experience of holding the skein in our hands! What would ‘poll dorset organic wool’ feel like and ‘natural dyes’ really look like; most importantly, how will it ‘knit up’? When my daughter Robin came home from school she was excited to find it on the living room table and immediately held a skein to her nose, “thank you so much mamma, but it doesn’t smell like wool” she remarked. My girl is used to the undyed wool and naturally coloured fluff that I have been ordering and so dyed wool with no lingering ‘sheep scent’ was a surprise. It does have a smell, fresh and sweet like Savon de Marseille…

Recovering from the ‘discount super wash wool’ disaster

If you read my post about the ‘not-so-super’ discount superwash wool that I used to make my daughter’s Rainbow Sweater, then you know that I’ve become a bit gun-shy about cheap, easy-care wool. So, determined to re-make the Rainbow Sweater in wool worth wearing, and heartened by the fact that Renaissance Dying has their Organic Poll Dorset wool combed and spun by the same non-profit Italian wool consortium that supplies my favourite Italian wool shop the Wool Box, I ordered three rainbow colors to follow my hand-spun amaranth.


Troubadour      /      Narbonne      /      Miraval

I haven’t decided which ‘blue’ to add after the green and before the ‘indigo* and violet’ I’m considering Mont Canigou…mmm, I do also have to wait for my budget to allow another three skeins at 17.50 each. Still, that gives me plenty of time to finish spinning some of that lovely red fluff to the right weight and to discover how this luscious-coloured wool knits. A side benefit to knitting for a 6-year-old is that there will be plenty of yarn left over (each skein is just under 400 yards) to work into other projects, I have my eye on this lovely little Kate Davies’ cardigan or a fabulous set of colourwork socks…who knows what wonderful new world of WIP’s will follow the completion of the New Improved Rainbow Sweater!

Meanwhile, I’m working like crazy doing everything but knitting or spinning. I’ve been teaching teenagers how to speak english in a town that’s a 50 min. commute away (both ways but fortunately a paying job), teaching two workshops for kids about the colours in nature at my little girl’s kindergarten (for free but little smiles are another kind of payment), and last but not least working on 4 translation and two editing projects (whew!). I’m ready to get back to knitting and spinning…soon.

Happy wool-working to all of you and thanks for reading and following Wool in Italy!


*P.S. I just found out that Andie will be teaching an ‘indigo’ workshop in September :); more about that later!

A Dream Dye Workshop in Italy…Let’s go!

Natural dye workshop in Italy not to be missed!

I just read about this workshop and I’m drooling already! The dye-master from Renaissance Dyeing in one of the most beautiful corners of Italy hosting a weekend workshop so that you can learn this fascinating art, meanwhile there are activities to occupy your spouse and kids and Organic, 0 KM meals prepared on site so that you come on Saturday morning, that evening you can enjoy a wonderful meal and then fall into a clean bed, then walk away on Sunday evening with a skein of hand-dyed yarn and the know-how to do it again at home. All I can say is WOW! And it’s affordable, double WOW!

I’ve translated the information below for anyone who’s interested, I for one, am dyeing to go!

Andie, The Wool Box and Renaissance Dyeing

We’ve known her for awhile; at first she was hesitant, as a proper inhabitant of Albion’s shores, timid in approaching the continent’s southern lands of sun and mirages; but then, over time and with the establishment of a mutually respectful professional relationship, the rapport became ever more open and confidential.

We won her trust working with the wool that she sent us from France, Toulouse to be precise, where she lives, works, and above all dyes.

The courtship was a long and arduous one but finally, in the inviting atmosphere of Paris’ Aguille en Fete, we were able to convince her to bring to us, as her only stop in Italy, a workshop centered on her art.

She accepted, fascinated, both by the ambiance that we are preparing, in an absolutely stunning location, and by the possibility to share her passion so that it will grow and develop.

She’ll be with us the weekend of 01-02 June 2013 and lead us by the hand to discover the discipline that rules the transfer of colors locked within the secret heart of plants to the waiting wool. She’ll guide us in the search for plants, in the preparation of the fiber, in the understanding of the recipes, in the organization of the baths, in the color changes achieved with various metals; with her we’ll discover the miracle of vegetal dyes.

Pragmatic and disciplined, she’ll begin talking to us* about health and safety, or how to conduct this activity without running any health risks, initiating the encounter with the high-degree of professionalism that is her trademark. Then we’ll move on to the preparation of samples, to the winding, the binding and the washing of skeins before commencing with the theory of dyeing. We’ll learn about calculating the correct percentages of dyestuffs relative to the weight of the wool, extraction, reserves, color changes, the writing of recipes…and then it will be Saturday evening.

Marina, the owner of the house, who is passionate about dyeing, will welcome us with a dinner prepared with produce from her garden and other local products procured at km zero that we can enjoy together, two steps away from the rooms that will be already prepared, with simplicity and precision, marked by sober perfection. Sunday, at last, we’ll start dyeing and, between the investigation of dye-plants to be found in the woods and the vats, we’ll end our day with our colored treasures that will become the foundation for new adventures of discovery in the world of dyeing.

In essence, even considering the difficult situation around us, we’ve decided to propse an educational seminar that dedicated to acquiring the ‘know-how’, that you’ll be able to use again in future and even immediately in terms of its repeatability also in your own home, at a very reasonable cost, both in terms of participation and logistics (lunches, dinner, breakfast and an overnight stay)**, in a splendid location, far from the noise and confusion of daily life, where you’ll leave your car when you arrive and only remember it when it’s time to go home.

We’ve also thought about spouses and children they will be able to find a guide to discovering the park, the woods, the paths and be close by without having concerns about how to entertain themselves while you’re occupied, and you won’t be worried about having left them at home.

In short, we’re committed to ensuring a level of competence, professionalism and a welcoming environment that will encourage first meetings to blossom into friendships.

Although participation is limited, don’t hesitate to make a reservation now; we’re sure that it will worth it in every way. For additional, necessary details, consult the workshop programme.

So, what will you do … still undecided? 
We’ll be waiting for you the 01-02 of June. 
See you soon and happy wool-working.

* Andie speaks English and French. To aid with communication we’ve engaged an on-site translator for Italian speakers.

** These are the rates we’ve established with the facility that will be hosting the workshop and providing food and accommodations:
breakfast = 5,00€; lunch = 12,00€; dinner = 18,00 €;
price per night B&B = 30,00€;
price per night in a shared room = 10,00€

For additional information and reservations, don’t hesitate to write to us at: or SKYPE us at: TheWoolBoxCompany or contact us by telephone at: (39) 015 9526223