Winter White (Part 2): Abruzzo Wool washed and blocked

Winter White Too!

As I mentioned in the last post, Winter White is rarely a true white. The white I’m talking about today is really more like a buttercream (are you hungry yet?) or pale straw. Still, I’m willing to call it winter white too – it’s winter yet and just looking at this cosy color makes me feel warmer. This is “Laga” a beautiful wool from from the sheep that pasture in Abruzzo’s Gran Sasso national park in the Laga mountains. Soft and still smelling like the Apennine pastures it is an excellent example of a fine wool produced entirely in Italy. If I had to make a comparison, I’d call it Italian Aran.

Here is my unblocked "Avery" Cowl in Laga - looking a little loose...just wait!

Here is my unblocked “Avery” Cowl in Laga – looking a little loose…just wait!

Abruzzo Wool Washed and Blocked: the big change

As I’ve written before, this is one of my favorite wools. It smells good, it feels nice and the stitch definition is phenomenal. So, when a friend asked if I could make Quince’s “Avery” cowl for her, I suggested Laga as a good 100% Italian choice. I ordered the pattern and printed it out. Then I swatched – and (sigh) I washed and blocked the swatch before I started! You know, I’ve never been much for swatching, I’m always too excited to get started, but when using wools that are not ‘superwash’ treated and that still smell a little lanolin-ish, you might be surprised to find out how much they ‘plump’ when you wash them. Take a look at the difference from the unblocked cowl in progress above and the washed and blocked finished work below!

Here is the same cowl, finished, blocked and washed. What a difference a little soap and water make!

Voila! Here’s the same cowl, finished, blocked and washed. What a difference a little soap and water make!

Had I swatched without washing and blocking, I would have made the gauge much too tight and and knitted my friend a cumbersome collar rather than an elegant cowl with structured drape. I also have to say that “Avery” was a great pattern as were “Madigan” and the “Castle Pullover”, the other two Quince patterns that I’ve used. Easy to follow and easy to adapt for other yarns. I’m a big fan!

Here you can see the elegant, structured drape of this Abruzzo Wool: 'Laga'

Here you can see the elegant, structured drape of this Abruzzo Wool: ‘Laga’

No mater if it’s ‘winter white’ or dyed with indigo or madder – this Abruzzo wool is worth queuing up on your needles – swatching, washing and blocking make sure that the final garment is exactly the beautiful piece you wanted to make for yourself or for a friend.

Coming soon, one last post on ‘winter whites’ before we move on to a burst of Spring color….meanwhile, Happy Woolworking!

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Mixing it up! Italian wools and handspun together at last

Mixing it up again…

IMG_0476I was looking for a way to include some of my handspun yarn in a sweater without having to spin a whole sweaters-worth of yarn (is sweaters-worth a word? if not I’m up for adding it to my knitting lexicon). I also love red but especially in combination with neutrals that really make it pop! Grazing the pattern section of Ravelry – a way for me to loose hours at a time – I came across ‘ravello’ by Isabell Kraemer. Now that I had found the perfect pattern for my red stripes, what was I going to sandwich them in between?

Italian wools: natural neutrals!

The Wool Box "Marisa" and my Amaranth.

The Wool Box “Marisa” and my Amaranth.

One of the neutrals I already had in mind, the lovely Morron Bouton that I’ve used for several other projects. A rich blend of Suffolk wool together with Italian wools from Biella and Abruzzo, I knew that it would knit up stiff but wash out shiny and much softer. I’m also in love with the color-flecked silvery-tan that manages to be both sophisticated and masculine. (The Wool Box is out of stock on the DK weight at the moment so I’m hoarding my last few skeins for the next sweater and hoping that they will make more!). I knew that I wanted something darker for the bottom of the sweater but not black. What to do? Dig through my sample bag! There she was – a very wooly, bouncy and luminous natural brown blend of Biella and Abruzzo wools – Marisa.

So happy together…

Two Italian naturals and an English Red mixing it up with happy results.

Two Italian naturals and an English Red mixing it up with happy results.

As these were three different yarns, all with different qualities, it was time not only to swatch but to wash and block the swatch to see how these newly introduced wools would work together. Success! The stitches all came out even and pretty in the wash; Italian wools and handspun together at last. It wasn’t even necessary to change needles to maintain the gauge. The sweater was a fairly quick knit for a slow knitter like me and the only down side is that in the end, it looks way better on my husband than on me! That’s alright, he’s happy and I’ll still wear it on chilly days under my denim jacket and stay warm as toast! I like this pairing well enough that I’m contemplating a round-yoked, fitted sweater for me :). Meanwhile, “cin-cin” and Happy Knitting!

This pattern is "ravello" by Isabell Kraemer made in two authentic Italian wools: The Wool Box Marisa 4 ply (the luminous natural brown) and Morron Bouton (the tweedy tan) along with my own handspun in bright red English wool.

This pattern is “ravello” by Isabell Kraemer made in two authentic Italian wools: The Wool Box Marisa 4 ply (the luminous natural brown) and Morron Bouton (the tweedy tan) along with my own handspun in bright red English wool.