Mixing it up! Italian wools and handspun together at last

Mixing it up again…

IMG_0476I was looking for a way to include some of my handspun yarn in a sweater without having to spin a whole sweaters-worth of yarn (is sweaters-worth a word? if not I’m up for adding it to my knitting lexicon). I also love red but especially in combination with neutrals that really make it pop! Grazing the pattern section of Ravelry – a way for me to loose hours at a time – I came across ‘ravello’ by Isabell Kraemer. Now that I had found the perfect pattern for my red stripes, what was I going to sandwich them in between?

Italian wools: natural neutrals!

The Wool Box "Marisa" and my Amaranth.

The Wool Box “Marisa” and my Amaranth.

One of the neutrals I already had in mind, the lovely Morron Bouton that I’ve used for several other projects. A rich blend of Suffolk wool together with Italian wools from Biella and Abruzzo, I knew that it would knit up stiff but wash out shiny and much softer. I’m also in love with the color-flecked silvery-tan that manages to be both sophisticated and masculine. (The Wool Box is out of stock on the DK weight at the moment so I’m hoarding my last few skeins for the next sweater and hoping that they will make more!). I knew that I wanted something darker for the bottom of the sweater but not black. What to do? Dig through my sample bag! There she was – a very wooly, bouncy and luminous natural brown blend of Biella and Abruzzo wools – Marisa.

So happy together…

Two Italian naturals and an English Red mixing it up with happy results.

Two Italian naturals and an English Red mixing it up with happy results.

As these were three different yarns, all with different qualities, it was time not only to swatch but to wash and block the swatch to see how these newly introduced wools would work together. Success! The stitches all came out even and pretty in the wash; Italian wools and handspun together at last. It wasn’t even necessary to change needles to maintain the gauge. The sweater was a fairly quick knit for a slow knitter like me and the only down side is that in the end, it looks way better on my husband than on me! That’s alright, he’s happy and I’ll still wear it on chilly days under my denim jacket and stay warm as toast! I like this pairing well enough that I’m contemplating a round-yoked, fitted sweater for me :). Meanwhile, “cin-cin” and Happy Knitting!

This pattern is "ravello" by Isabell Kraemer made in two authentic Italian wools: The Wool Box Marisa 4 ply (the luminous natural brown) and Morron Bouton (the tweedy tan) along with my own handspun in bright red English wool.

This pattern is “ravello” by Isabell Kraemer made in two authentic Italian wools: The Wool Box Marisa 4 ply (the luminous natural brown) and Morron Bouton (the tweedy tan) along with my own handspun in bright red English wool.

Color Inspiration

Color Inspiration from the Garden

The end of Summer is full of color inspiration and beautiful produce from the garden. On a short holiday trip to piedmont I rediscovered one of nature’s most inspiring color combinations, red and green…or in this case fuchsia and pale yellow-green in the wonderful hull of the Cranberry Bean.

A beautiful Cranberry Bean growing in our friend's garden near the town of Crodo in Piedmont.

A beautiful Borlotti (aka Cranberry) Bean growing in our friend’s garden near the town of Crodo in Piedmont.

Borlotti or Cranberry?

In Italian it’s the Borlotti Bean and in English the Cranberry Bean, but this bean by any name is still stunningly beautiful! Now open up the Borlotti bean hull and what do you find:

Here are the empty Borlotti Bean hulls and you can see why they're also called 'Cranberry' what an amazing dark fuchsia against the startlingly pale interior!

Here are the empty Borlotti Bean hulls and you can see why they’re also called ‘Cranberry’ what an amazing dark fuchsia against the startlingly pale interior!

Inside is the deliciously creamy-nutty flavored bean itself. Not quite as vivid as it's outer shell it's still lovely.

Inside is the deliciously creamy-nutty flavored bean itself. Not quite as vivid as it’s outer shell it’s still lovely.

Now, what to do with this wonderful color inspiration from the garden? It just so happened that, when we went on vacation to Piedmont, my right wrist and shoulder had begun to bother me with the tale-tale signs of a RSI…bummer! I decided to take a project-free vacation and packed no knitting and no spinning, determined to rest my right arm. After coming home and spending another week in stretching, yoga and using a heated massager borrowed from my kind neighbor (and not knitting and not spinning). I was feeling a bit better but not much.

 

Long-draw to the rescue!

Then it came to me, I would experiment with ‘long-draw’ fiber drafting where I could use my very sound and un-irritated left arm and hand with minimal effort from my right. Long-draw and You Tube to the rescue! After watching two very helpful videos – one by Spindlicity, with multiple fiber types and approaches, and another by Long Draw John, with a focus on using merino roving – I was ready to try the challenge. I decided to card up a few rolags: blending some roving from my wool box stash: fuchsia, red and pink for one set and pale yellow, blue and white for the other. Voilà! My color inspiration from the garden turned into my first long-draw skein 🙂

Here's my Long Draw Bean Skein inspired by the beautiful colors of the Borlotti Bean hull.

Here’s my Long Draw Bean Skein inspired by the beautiful colors of the Borlotti Bean hull.

A Bean Bag!

What to make with this scant 40 meters of yarn? It had to be something quick and easy on larger diameter needles. Something that wouldn’t aggravate my irritated appendage but still satisfy my stymied creative energy. I found the perfect solution in what I decided to call my ‘bean bag’! A wonderful bag pattern by VERONIKA just called for a stockinette or garter stitch rectangle with a width length ratio of 1:3. I washed and dried my skein and cast on 25 stitches on U.S. #8’s and got going. The very fast (and wrist friendly) result was this little bag that’s just the right size to hold two little balls of sock yarn!

My Borlotti Bean Bag with an antique shell button and an I-cord strap will be a great way to take summer's color inspiration from the garden on into the cold Lombard winter!

My Borlotti Bean Bag with an antique shell button and an I-cord strap will be a great way to take summer’s color inspiration from the garden on into the cold Lombard winter!

 
Last but not least, a little more color inspiration from the beautiful landscape of Piedmont’s Val Formazza:

A Great End of Summer Offer

Stripes and Lace

Here’s a great opportunity to have what I think of as one of this summer’s “must have” knitting patterns for free from now through Sept. 7th! This tee showcases a mix of stripes and lace that can be either elegant or spirited depending on your color choices. Now’s your chance to get started on a wonderful End of Summer project and take a look at some of the other wonderful Jenjoyce Design patterns. Happy wool-working!

Jenjoyce Design's Penny Candy Tee!

Jenjoyce Design’s Penny Candy Tee!

Free through September 7th

“Dear Knitters ~~ Do you love stripes? Do you love lace? Do you love to wear light-weight hand-knits in the sunshine? Would you like to put them all together in a cute sweater for you, for your daughter, or grand-daughter, niece, or friend? Great, because from now (officially Labor Day weekend) through the first week of September ~~ September 7th ~~ I am offering to gift this pattern to all who participate in the promotion.” – to find out how, click on the link below:

http://jenjoycedesign.com/2014/08/29/for-knitters-penny-candy-tee-end-of-summer-promotion/

Dyeing to get started!

Happy and blue!

It has been months since I’ve posted but I have a wonderful excuse: I’ve been working on projects, and better yet I’ve been learning new things :)! I finally did some dying with indigo like I learned in the first workshop:

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My hand spun mohair dyed in the organic indigo vat – 100 g = 248 meters

Beautiful "Brogna" from The Wool Box came up this lovely 'vintage' indigo color.

Beautiful “Brogna” from The Wool Box came up this lovely ‘vintage’ indigo color.

Melissa LaBarre's lovely pattern "Madigan" with a few modifications...

Melissa LaBarre’s lovely pattern “Madigan” with a few modifications…

I also attended a second workshop on warm colors – using weld and madder –  taught by the inimitable Andie Luijk of Renaissance Dyeing. We also learned about using iron, ash water and copper modifiers.  Wow! It was too much fun 🙂IMG_0483
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 ………………………………………..In the end, I had so many short yardage samples that I decided to splice them all into a single ball – something my mother did for me when I was a kid and learning how to crochet. Now I read that they’re calling it “magic ball”, a fun new name for a time-tested way to use up leftovers.

I decided to use my magic ball as one of the colors in a new iteration of Marylene Lynx’s “Camille” – I loved the first one that I made earlier this year and I’m having lots of fun with this new color combination!

My first go at "Camille" completed this spring.

My first go at “Camille” completed this spring.

I have been up to much more since April and will try to get some more of it posted in the coming days. Meanwhile, thanks for reading and Happy Woolworking!

Purl side of my newest "Camille" - still rumpled and with the lace to go but I'm sure it will all come out in the blocking :)!

Purl side of my newest “Camille” – still rumpled and with the lace to go but I’m sure it will all come out in the blocking :)!

Experimenting with texture and scale…opposite ends of the spectrum

But I’m not talking about the color spectrum. I’ve been spinning up two very different fibers and aiming for two very different weights a ‘wooly’ fingering and a ‘featherweight’ bulky.

The Wooly Fingering – Norwegian Light Grey:

Lots of Norwegian Light Grey tops ready to spin!

Lots of Norwegian Light Grey tops ready to spin!

I bought this tops quite awhile back at the very reasonable price of 2 euro for 100 grams (3.53 oz.) along with its equally lovely ‘moorit’ brown partner. The price has gone up since then but I don’t think I’ll be needing any anytime soon. I have been spinning the brown with my drop spindle and knitting it (slowly, slowly) into a drop-stich-rib sweater for my husband. This lovely grey has been languishing in a bag in a box on the shelf for more than a year partially because, as you can see by the photo, I’ve a ton of it…okay, I really only have about 600 grams but; that’s a lot of fiber to confront with a drop spindle! – At least for me ;).

My hero the bumble bee and the thin, grey line!

Upon the arrival in Italy of my expatriated Texan spinning wheel (thank goodness it doesn’t require a residency permit!), spinning larger volumes of fiber at a consistent gauge suddenly became imaginable. Here’s a look at my progress so far:

Norwegian light grey 2- ply fingering. 13 wpi, 200 yards

Norwegian light grey 2- ply fingering. 13 wpi, 200 yards from 3 oz, worsted spun.

So, with 200 yards over 3 oz. and 21 more ounces to go that makes for about another 1400 yards to be spun…okay, I am not freaking out! It’s a big number for a beginner like me but I know I can do it. You may now be asking, why is she making such fine yarn, why not an aran or even a ‘chunky’? Well, I suppose it’s because it’s a very ‘wooly’ wool, it has a lovely halo and it’s really, really warm. I’m imagining a light, airy shawl, something like Hélène Magnússon’s Halldóra long shawl that can be worn as a warm, light layer rather than as a bulky, heavy sweater. We’ll see, by the time I’ve finished spinning I may well have a new project in mind.

Light and fat, the bulky Featherweight!

No, I’m not talking about homemade gnocchi in cream sauce…I’m talking about the yarn I’m spinning up from the extra-fine merino tops that I ordered last year.

Light and fat, extra-fine merino tops

Light and fat, extra-fine merino tops.

The polar opposite of the Norwegian grey with it’s structured wooliness, my extra-fine merino is so cloud-soft that when my daughter gets near it she can’t keep her fingers out of it! It’s also ‘sticky’ – so crimped and light that it wants to attach itself to anything and everything, including the sleeve of any sweater I happen to be wearing while I’m spinning it.

Seeing as it’s a more expensive fiber – 3.50 euro per 100 grams – I had only ordered 200 grams (7 oz.) and started out making an almost cobweb fine yarn with it on a drop spindle. But, when I thought about it, I didn’t really want a shawl or a pair of socks from this luxury fiber, I wanted something where it’s lightness and softness could be the main feature…and I wanted to try and make some ‘bulky’ yarn.

Featherweight 'bulky' extra-fine merino hand-spun. 2-ply, 7 wpi, 150 meters/100 grams

Featherweight ‘bulky’ extra-fine merino hand-spun. 2-ply, 7 wpi, 150 meters/100 grams

Since the beginning I’ve had trouble spinning ‘thick’ singles, my hand-spun yarns were always edging towards the anorexic. In my mind’s eye I saw the possibility of this becoming a richly textured and modulated ‘bulky’ but featherweight yarn, something with which I could make my daughter a little ‘cloud’ of a shrug. I just have another 40 grams to spin so I should be able to finish up with just over 200 yards, I think it will be plenty for a 7-year old sized something with rhinestone buttons! Maybe a ‘mini-Moussaillon’ based on the Cleonis pattern….So, I’m going to get back to spinning and finishing a few of the many languishing WIP’s in my workbasket. I did finally finish the toe-up socks with a flap heel and they look wonderful! I won’t know if they will fit my friend until he comes to try them on but I have my fingers crossed!

"Fabulous" toe-up socks with heel gusset.

“Fabulous” toe-up socks with heel gusset.

Playing (and plying) with my new toy!

Yes, I got it for Christmas but I didn’t tell you and now it’s already Spring! My husband gave me a Bumble Bee from Bluebonnet Spinning Wheels in Texas. The trick is that we live in Italy and they don’t do international shipping…but I have a splendid Mother in Law who carried it as ‘additional baggage’ when she came for a visit in January and I’ve been happily playing and plying with it ever since (and working on a few other things too…) Here’s a sneak peek at just a few of the things in my basket…

A few of the projects hat I've been working on, from upper left: Toe up socks with gusset heel, Dutch Lace Shawl, Josephine Jaquard socks. Lower left, Sunset over Lago Maggiore (an art yarn project), 200 yards of Southafrican Mohair and me at my new wheel with a lap full of Extra-Fine merino.

A few of the projects that I’ve been working on, from upper left: Toe up socks with gusset heel, Dutch Lace Shawlette, Josephine Jacquard socks. Lower left, Sunset over Lago Maggiore (an art yarn project), 200 yards of South African Mohair and me at my new wheel with a lap full of Extra-Fine merino.

I’ve also spent a fair amount of time working on projects for friends so I’ve built up a stack of WIP’s that go beyond what’s pictured above…in fact, in addition to the 2 pairs of socks, there are 2 shawls and 2 sweaters (one made with handspun Norwegian Moorit Brown 2-ply). I’ve dedicated myself to finishing at least one of each thing before I cast on anything new even though I’m dying to get started on JenJoyce Design’s “Una Cosettina” although I haven’t decided if I wan’t to use the Oropa 1-ply yarn that they were designed for or something from my lovely (albeit small and as yet untouched) stash of Hélène Magnússon’s  Grylammm better get knitting so that I can get started on those before the fall!

New wool shop in Italy!

Wool (and alpaca and cotton) In Abruzzo:

Wool (and cotton and alpaca!) in Abruzzo - thanks to Alice Tesser at Di Lana ed Altre Storie.

Wool (and alpaca and cotton) in Abruzzo – thanks to Alice Tesser at Di Lana ed Altre Storie.

I found a Ravelry message a few weeks ago from a nice Italian woman named Alice Tesser inviting me to visit her new e-store/blog Di Lana ed Altre Storie (Of wool and other stories). My first response was of course Whoo-hoo! A new wool shop in Italy! I’m always interested in a new source for yarn and knitting supplies and the note I received was anything but the self-promoting sales pitch one often gets, so I clicked the link.

What a great website! Clear, easy to navigate and offering a broad range of Drops yarns in cotton, wool and alpaca, a lovely selection of hand-painted lace weight by the Chilean artisans of Araucania, a few different weights and blends from Noro and Debbie Bliss, and  one very beautiful merino/alpaca/silk blend from Peru’s Mirasol (the purchase of which also funds a project supporting the building of schools). And then…

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Wool in Abruzzo – the real deal! Wool from sheep pastured in the Gran Sasso National Park and cared for by a shepherd who knows his sheep by name.

Naturally, Wool…What’s in a certification?

All of this selection was great, but the yarn (and the story) that really caught my attention was that of the local wool from Abruzzo that only comes in two colors: cream and brown – both undyed. The blog post that went with it was unbelievably touching, particularly the last paragraph where Alice reported a conversation with the shepherd:

In a world of certifications and pre-set interpretive models to read the label on this yarn and see that it was not designated as ‘pure virgin wool’, broke my heart. Giulio, the shepherd, responded, “There’s no need. I know each of my sheep by name; I know what they’ve eaten and when; the cheese produced [from their milk] is organic and the sheep already so.” So this wool – more than just organic, natural, untreated and undyed, except by the grasses and alum of the rocks in the pasture – is healthy and represents, rather than a nostalgic return to the past, a springboard towards the future.  – excerpted and translated from Lana, Naturalmente

Now that’s wool in Italy!

And other stories… I was also pleased and surprised to find an excellent selection of printed fabrics from the Florida based Art Gallery Fabrics, no biggie for those of you living in the U.S. but nice for those living in Italy to have easy access to a nice range of quilting and craft fabrics. Also, lots of circular needles, both interchangeable and standard, along with short DPNs and sewing supplies for quilters (all hard to come by in the provincial mercerie here in Italy). Meanwhile, my order was submitted on a Friday and arrived on Monday…now that’s fast!

The second surprise was a call from Alice on the Sunday after I placed my order. After I assured her that it was no bother, we had a brief chat about the website, the wool, Abruzzo and the man she called “one of our shepherds”. She lives in Montesilvano, Pescara and says that she’ll be opening a brick and mortar shop there in September…Sounds like a good reason to go to the Adriatic coast!

Meanwhile, I’m busy with my Drops ‘Muscat’ from the e-shop making one of the fabulous slip-stitch dishtowel patterns that I found at the Purl Bee…perfect summer knitting!

Drops 'muscat' cotton worked up in a slip-stitch pattern from The Purl Bee.

Drops ‘muscat’ cotton (produced in the EU and Oeko-Tex certified) worked up in a slip-stitch pattern from The Purl Bee.

 

Good products and good service from nice people, I’m glad to have found a new wool shop in Italy!

Happy wool-working!

Mood Indigo

Stormy Weather - the beautiful low blue of storm clouds over Gemonio

Stormy Weather – the beautiful low blue of storm clouds over my little town, Gemonio

Stormy weather and a hankering for indigo

Day before yesterday there was a huge storm in our little town and the sky turned just the colors I love best – every possible shade of that water-heavy cloud blue that contrasts so beautifully with tones of terracotta, mustard yellow and fresh cream. Can I learn how to make these blues? Should I dye my newly spun mohair and if so, what color?

Victoria Finlay's book  "Color" - the indigo chapter - and my first 130 yards of handspun mohair.

Victoria Finlay’s book “Color: a natural history of the palette” – the indigo chapter – and my first 130 yds of handspun mohair. Ms. Finlay notes that while we call the color indigo (based on the Greek indikón meaning ‘from india’), in India it’s called nil.

Bluing?

I reread the indigo chapter in Victoria Finlay’s imminently enjoyable “Color: a natural history of the palette” one of my favourite stories that she recounts (along with that of Benito Hernández’s dye works in Oaxaca) involves the uses of indigo both as a base color for black and as “laundry bluing” to make whites whiter:

“…while woad or indigo are important as “bottom” colors for black dyes…another factor is their ability, in the form of laundry blue, to give white clothes a new lease on life. In poorer parts of India you can sometimes see older  gentlemen in the streets radiating what seems to be ultraviolet from their white clothes.” – from Color: a natural history of the palette

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Possibilities…

So, could I dye my newly spun mohair one of the colors from this stormy sky or a midnight sea or the pale sapphire of my grandmother’s earrings or a blue so pale it glows like the indian gentelman’s well-washed white cotton; then again perhaps colors like these? I’ll find out in September when I go to Andie Luijk’s indigo dying workshop in the foothills of the Alps just north of Italy’s famous textile center, Biella….mmm, ‘mountain blue’ mohair… what beautiful something could I make that into…?

The unfinished WIP blues

Meanwhile, I have a month to get going and spin the rest of my mohair fiber and also finish a few of these! Right now it’ll just have to get past my hankering for the blues by listening to the majestic Ella singing Ellington’s masterpieceMood Indigo.

The WIP blues...so much left to do (from top left:

The WIP blues…so much left to do (from top left: Robin’s Rainbow Sweater Redux, Deco Socks, Laura’s Workman’s Gloves – from bottom left: Matthew’s Reversible Stripes Scarf, Cotton Slip-Stitch Dish, Swatch for Kate Davies “Paper Dolls” and Bonnie’s “Josephine”.

They’re Here! New Roving from The Wool Box

Roving stops at my house!

New Roving from The Wool Box: from left – South African mohair, Extra Fine Merino, Lincoln Lustre wool,  UK Grey/Brown Jacob Wool

New Roving from The Wool Box: from left – South African mohair, Extra Fine Merino, Lincoln Lustre wool, UK Grey/Brown Jacob Wool

They’re here! The new roving I ordered from the Wool Box arrived on my doorstep a few weeks ago! As soon as I opened the box I started spinning up small samples to knit. They’re so different! Each fiber with it’s own unique characteristics (with a click, all the pictures can be enlarged to ‘huge’ so that you can get a real close up look at how each fiber is different):

South African Mohair:

South African Mohair shines while each stitch keeps its shape!

South African Mohair shines while each stitch keeps its shape!

Silky smooth with almost no kink, I was glad that I chose to spin it from the fold. When I knit the sample each stitch held it’s shape with springy force although there was not an inch of stretch along the length of the fiber.

Extra Fine Merino:

This Extra Fine Merino is like spinning a cloud!

This Extra Fine Merino is like spinning a cloud!

It’s like spinning a cloud! My daughter couldn’t keep her hands out of it and had to try and spin some herself…so my sample is a little uneven, that’s alright! This fiber is so easily compressed from fluff to thread that when I knitted up the sample yarn the uneven quality of the yarn was barely evident! The little one has already requested a shawl made of this wool. Who wouldn’t want to wear a soft, white cloud around their bare shoulders in spring?

The ease with which this fiber compresses hides the uneveness of a single spun, in part, by a 6 year old :)

The ease with which this fiber compresses hides the uneveness of a single spun, in part, by a 6 year old 🙂

Lincoln Lustre Wool:

The Lincoln Lustre Wool has an incredibly long and luminous staple, beautiful and with the same forceful stitch definition I noticed in the mohair.

The Lincoln Lustre Wool has an incredibly long and luminous staple, beautiful and with the same forceful stitch definition I noticed in the mohair.

Like a more robust version of the mohair, the fiber was smooth and as lustrous as the name promised, easy to spin despite the relative lack of kink in the fibers and producing what Italian’s refer to as a ‘dry’ yarn. Like dry champagne, I can see that the yarn will be for special occasions; those when I want high stitch definition together with the long-wearing qualities that will make this fiber perfect for heritage knitting projects.

UK Grey/Brown Jacob Wool:

UK Grey/Brown Jacob Wool is a sweet, springy mix of soft and sturdy that wants to be made into a jaunty hat. a sweet little 'copre spalle' or an elegant but robust winter sweater.

UK Grey/Brown Jacob Wool is a sweet, springy mix of soft and sturdy that wants to be made into a jaunty hat. a sweet little ‘copre spalle’ or an elegant but robust winter sweater. Click on this photo to see how many different colors there are in this one wool!

Sweet and easy to spin, this fiber is as bouncy as the little sheep in the charming picture appeared. Lots of kink makes this one easy to spin but challenging (at least for me) to spin thin. So, why not make a chunky? Right on the balance point between soft and strong, this complex, naturally colored fiber will spin up into something cuddly but with character!

Now my mind and my fingers are spinning with ideas for projects that can be made with these fibers…do you want to try some too?

Now that the roving has stopped at my house, I’m hoping to have some hanks to show you all soon :). Meanwhile: here’s the tiny knitting sample that I was able to work up on a pair of 3mm needles:

I'm still a beginner at drop spindle spinning but I was amazed at how these fibers seemed to fly into yarn with so few breaks or snarls. With the exception of the Extra Fine Merino, I spun them all from the fold and plied two singles.

I’m still a beginner at drop spindle spinning but I was amazed at how these fibers seemed to fly into yarn with so few breaks or snarls. With the exception of the Extra Fine Merino, I spun them all from the fold and plied two singles. From left: South African Mohair, Lincoln Lustre Wool, UK Grey/Brown Jacob Wool and to the far right, Extra Fine Merino.

California Design meets Italian Wool

California design meets Italian wool - JenJoyce and Oropa make a great match!

California design meets Italian wool – JenJoyce and Oropa make a great match!

A tale of two valleys…

Just one ridge over from Pettinago where I went to the spinning workshop and looking down at the border between Piedmont and Val d’Aosta, is Oropa, home of the famous sanctuary of the black madonna that sits above the city of Biella but still well below the crown of the surrounding alps. Sheep that were shorn this spring are grazing on the hillsides while, in the Biellese Valley, a wool cooperative is processing the fleece into a yarn that will be named after the National Park and Sanctuary where they graze: Oropa.

Meanwhile, in California, somewhere in the green between the Sonoma and Napa Valleys, in the shade of the pines, a designer is knitting gauge swatches, thinking and writing instructions for candy striped socks that can start at the ankle and end at the toe without ever breaking the yarn. She’s testing the different sizes and designing a version that is an adorable pair of picot-trimmed baby booties. These are “Penny Candy Socks”.

A tale of two valleys - from Sonoma to Oropa

A tale of two valleys – from Sonoma to Oropa

They came together in my living room, on Lago Maggiore’s shores and in Gemonio’s piazza…

My Penny Candy Socks: "Licorice Whip" in Oropa 1 ply: Aosta Black and Grigio Perla

My Penny Candy Socks: “Licorice Whip” in Oropa 1 ply: Aosta Black and Grigio Perla

If you make these with the magic loop and split the skeins, a sock and the yarn fits in your purse and goes anywhere! When California Design meets Italian Wool they make a great pair!

Happy wool-working!