Winter White (Part 3): Brogna from Verona and an English Wool in Italy

Three Winter Whites! Let’s begin with Brogna.

It’s long past Spring but, I still have white on my mind. As  I mentioned in the last posts, Winter White is rarely a true white. The whites that I’m looking forward to getting my needles into come from 4 different sheep breeds from 3 different countries but they all have one thing in common: they are made into yarn here in Italy. Although I’m calling these three ‘winter whites’ – they really belong to spring, the Italian shearing season which normally starts in April can continue through July. My first white is a beautiful creamy Brogna from the hills surrounding the city of romance, Verona.

A pair of socks from

A pair of socks from “Dave’s Toe-Up Sock Cookbook” made with Brogna…che belle!

Soft and delicate, this Brogna yarn is a buttery straw color and plied in a special way to create a texture like that of a fine gold chain.

Soft and delicate, this Brogna yarn is a buttery straw color and plied in a special way to create a texture like that of a fine gold chain.

Brogna is one of the forty-two autochthonous Italian breeds and in the 1980’s it was near extinction with only 50 head registered but now there are more than 1700 purebred Brogna Sheep currently registered in Italy. This wool was renowned in the Middle Ages for its use in fine Verona Woolens and I love the buttery/straw color and the way it takes dye!

Bright Lights shining from Southern England to Northern Italy

Next up: Lowland wool from Southern England, spun with care in Northern Italy, “Bright” is a smooth yarn that’s only slightly thicker than Jamison’s Heritage Shetland and a bit smoother and stronger. The white has a lovely sheen and is in fact ‘bright’ without looking bleached. This quality comes in quite a few colors (and I have quite few of them in my stash) so, having swatched for solid stockinette gauge, I’m now looking forward to knitting

“Bright” from the “Lights” series of Lowland wool from the Wool Box

some colorwork swatches with Bright, using the white as a base color. I’m wavering between Kate Davies elegant “Epistrophy” and Tin Can Knits’ geometric fair isle “Clayoquot Cardigan“…humm, both so beautiful!

Organic Poll Dorset: From France to Italy and back again

This soft, wooly, organic Poll Dorset from Renaissance Dyeing is bred and sheared in France and then Spun in Northern Italy's renowned woolen mills.

This soft, wooly, organic Poll Dorset from Renaissance Dyeing is from sheep bred and sheared in France. The wool is then spun in Northern Italy’s renowned woolen mills.

No mater if it’s ‘bare white’ or dyed with lush natural dyes – this organic wool is worth every penny of the extra cost. Not only that, for anyone concerned about how sheep are handled during the shearing process, this is probably the happiest wool you’ll ever handle! At only 9 euro per for an undyed, 3.53 oz, 380 yard skein, you can afford to try your own dye experiments – then you’ll understand that the natural, stable color line offered by the company is a bargain at 17.50/skein! I’m hoping to use my 3 skeins of white as the base for a transitional sweater with a bit of color…maybe Paper Dolls? Tired of white? My upcoming post will be all about color….meanwhile, Happy Woolworking!

Winter White (Part 2): Abruzzo Wool washed and blocked

Winter White Too!

As I mentioned in the last post, Winter White is rarely a true white. The white I’m talking about today is really more like a buttercream (are you hungry yet?) or pale straw. Still, I’m willing to call it winter white too – it’s winter yet and just looking at this cosy color makes me feel warmer. This is “Laga” a beautiful wool from from the sheep that pasture in Abruzzo’s Gran Sasso national park in the Laga mountains. Soft and still smelling like the Apennine pastures it is an excellent example of a fine wool produced entirely in Italy. If I had to make a comparison, I’d call it Italian Aran.

Here is my unblocked "Avery" Cowl in Laga - looking a little loose...just wait!

Here is my unblocked “Avery” Cowl in Laga – looking a little loose…just wait!

Abruzzo Wool Washed and Blocked: the big change

As I’ve written before, this is one of my favorite wools. It smells good, it feels nice and the stitch definition is phenomenal. So, when a friend asked if I could make Quince’s “Avery” cowl for her, I suggested Laga as a good 100% Italian choice. I ordered the pattern and printed it out. Then I swatched – and (sigh) I washed and blocked the swatch before I started! You know, I’ve never been much for swatching, I’m always too excited to get started, but when using wools that are not ‘superwash’ treated and that still smell a little lanolin-ish, you might be surprised to find out how much they ‘plump’ when you wash them. Take a look at the difference from the unblocked cowl in progress above and the washed and blocked finished work below!

Here is the same cowl, finished, blocked and washed. What a difference a little soap and water make!

Voila! Here’s the same cowl, finished, blocked and washed. What a difference a little soap and water make!

Had I swatched without washing and blocking, I would have made the gauge much too tight and and knitted my friend a cumbersome collar rather than an elegant cowl with structured drape. I also have to say that “Avery” was a great pattern as were “Madigan” and the “Castle Pullover”, the other two Quince patterns that I’ve used. Easy to follow and easy to adapt for other yarns. I’m a big fan!

Here you can see the elegant, structured drape of this Abruzzo Wool: 'Laga'

Here you can see the elegant, structured drape of this Abruzzo Wool: ‘Laga’

No mater if it’s ‘winter white’ or dyed with indigo or madder – this Abruzzo wool is worth queuing up on your needles – swatching, washing and blocking make sure that the final garment is exactly the beautiful piece you wanted to make for yourself or for a friend.

Coming soon, one last post on ‘winter whites’ before we move on to a burst of Spring color….meanwhile, Happy Woolworking!

Mixing it up! Italian wools and handspun together at last

Mixing it up again…

IMG_0476I was looking for a way to include some of my handspun yarn in a sweater without having to spin a whole sweaters-worth of yarn (is sweaters-worth a word? if not I’m up for adding it to my knitting lexicon). I also love red but especially in combination with neutrals that really make it pop! Grazing the pattern section of Ravelry – a way for me to loose hours at a time – I came across ‘ravello’ by Isabell Kraemer. Now that I had found the perfect pattern for my red stripes, what was I going to sandwich them in between?

Italian wools: natural neutrals!

The Wool Box "Marisa" and my Amaranth.

The Wool Box “Marisa” and my Amaranth.

One of the neutrals I already had in mind, the lovely Morron Bouton that I’ve used for several other projects. A rich blend of Suffolk wool together with Italian wools from Biella and Abruzzo, I knew that it would knit up stiff but wash out shiny and much softer. I’m also in love with the color-flecked silvery-tan that manages to be both sophisticated and masculine. (The Wool Box is out of stock on the DK weight at the moment so I’m hoarding my last few skeins for the next sweater and hoping that they will make more!). I knew that I wanted something darker for the bottom of the sweater but not black. What to do? Dig through my sample bag! There she was – a very wooly, bouncy and luminous natural brown blend of Biella and Abruzzo wools – Marisa.

So happy together…

Two Italian naturals and an English Red mixing it up with happy results.

Two Italian naturals and an English Red mixing it up with happy results.

As these were three different yarns, all with different qualities, it was time not only to swatch but to wash and block the swatch to see how these newly introduced wools would work together. Success! The stitches all came out even and pretty in the wash; Italian wools and handspun together at last. It wasn’t even necessary to change needles to maintain the gauge. The sweater was a fairly quick knit for a slow knitter like me and the only down side is that in the end, it looks way better on my husband than on me! That’s alright, he’s happy and I’ll still wear it on chilly days under my denim jacket and stay warm as toast! I like this pairing well enough that I’m contemplating a round-yoked, fitted sweater for me :). Meanwhile, “cin-cin” and Happy Knitting!

This pattern is "ravello" by Isabell Kraemer made in two authentic Italian wools: The Wool Box Marisa 4 ply (the luminous natural brown) and Morron Bouton (the tweedy tan) along with my own handspun in bright red English wool.

This pattern is “ravello” by Isabell Kraemer made in two authentic Italian wools: The Wool Box Marisa 4 ply (the luminous natural brown) and Morron Bouton (the tweedy tan) along with my own handspun in bright red English wool.

Matchmaking: combining my favorite Italian Wools

Two of my favorite Italian Wools side by side: Naturalmente's Gentile di Puglia and The Wool Box's newest wool/mohair blend, Kimberley

Two of my favorite Italian Wools side by side: Naturalmente’s Gentile di Puglia and The Wool Box’s newest wool/mohair blend, Kimberley

Matchmaking

I’ve been really busy since my last post. Sometimes when I’m making it’s hard to decide to stop and write or post pics. The good news is that I’ve finished a ton of WIPs so I’ve been able to start in on a slew of new projects (YAY)! Now that quite a few of my long term projects are out of the way, I find that I have so many single skeins of beautiful yarn – so I’ve been matchmaking by combining my favorite Italian wools.

My newest favorite

The Wool Box has just released 3 new qualities of wool and I’m in love! The one I’ve really worked with is Kimberley, a mix of 75% pure wool and 25% South African mohair. It comes in 6 colors and I’m crazy about the green! When I saw it on the web, I decided to order some and try it out to see about gauge, texture and drape. Love, love, love all of the above! The day after it arrived I saw Kyle William’s latest cowl pattern, Wadsworth and there it was the perfect match! I made a few modifications for the slightly heavier weight yarns, pulled out a skein of warm, dark green Bose ( a beautiful 100% Italian wool from Valle Susa and Briançonnais areas) that I had been saving for a hat and went to work…

My version of Kyle William's Wadsworth Cowl in Kimberley and Bose.

My version of Kyle William’s Wadsworth Cowl in Kimberley and Bose.

I love how simple the pattern is, Mr. Williams has found just the right proportions for a short cowl (6″ x 26″) and the linen stitch is a lovely way to combine two pretty single skeins into a classic winter accessory with excellent drape. Did I mention that it’s super warm? This is not the end of the story – I’ve been doing quite a bit more matchmaking. Come back to see what other combinations I’ve been playing with.

Meanwhile, Happy Woolworking!

Beautiful Abruzzo Wool…Naturalemente!

Naturally beautiful!
Not only is my daughter naturally beautiful (I am biased) but so are her hat and scarf, made from one of my favorite Italian wools from the Gentile di Puglia breed who graze in the Grandphoto 2 Sasso National Park in Abruzzo. Beautiful Abruzzo Wool is something I knew nothing about until I came to the North of Italy. This wool, a sumptuous aran weight worsted, is not only 100% Italian in it’s production, it’s also dyed with natural, oxidized logwood to this luscious shade of plum! The stitch definition is amazing and Tin Can Knits’ Simple Collection (all free patterns) was a perfect way to try out this lovely wool.

Naturalmente Gran Sasso!

Abruzzo is one of the most lovely and under-visited areas in Italy, excellent cuisine and striking natural beauty make it yet another piece of Italy’s natural and cultural patrimony. Naturalmente is a company that processes the wool coming from sheep that graze in the breathtaking park of Gran Sasso. The sheep breed is Gentile di Puglia, one of the original breeds of Italian merino. They dying is all done by a dyemaster with certified natural dyes. You can read more about this marvelous yarn here: NaturalementeThe website is in English so you’ll be able to read the info in addition to drooling over the beautiful pictures ;).

A rare wool well done

naturalmente

Bad pun that you’ve heard 1000 times already, sorry! It is a rare wool and quality-wise, quite well done. I know of only two suppliers, both of them here in Italy. For dyed wool in fabulously dense colors, you can order it on-line from Di Lana ed altre Storie, the site is in Italian but if you’re interested, just write an e-mail to the store at info@dilanaedaltrestorie.it and I think Alice Tesser, the store owner will be able to help you.

If you prefer a slightly thinner true worsted weight, and you want natural cream color to knit plain or dye on your own, you can order one of my all time favorites from The Wool Box, LAGA.

As we move into serious wool season, I wish you a very happy Autumn and good luck with all of your projects.

A presto!

Color Inspiration

Color Inspiration from the Garden

The end of Summer is full of color inspiration and beautiful produce from the garden. On a short holiday trip to piedmont I rediscovered one of nature’s most inspiring color combinations, red and green…or in this case fuchsia and pale yellow-green in the wonderful hull of the Cranberry Bean.

A beautiful Cranberry Bean growing in our friend's garden near the town of Crodo in Piedmont.

A beautiful Borlotti (aka Cranberry) Bean growing in our friend’s garden near the town of Crodo in Piedmont.

Borlotti or Cranberry?

In Italian it’s the Borlotti Bean and in English the Cranberry Bean, but this bean by any name is still stunningly beautiful! Now open up the Borlotti bean hull and what do you find:

Here are the empty Borlotti Bean hulls and you can see why they're also called 'Cranberry' what an amazing dark fuchsia against the startlingly pale interior!

Here are the empty Borlotti Bean hulls and you can see why they’re also called ‘Cranberry’ what an amazing dark fuchsia against the startlingly pale interior!

Inside is the deliciously creamy-nutty flavored bean itself. Not quite as vivid as it's outer shell it's still lovely.

Inside is the deliciously creamy-nutty flavored bean itself. Not quite as vivid as it’s outer shell it’s still lovely.

Now, what to do with this wonderful color inspiration from the garden? It just so happened that, when we went on vacation to Piedmont, my right wrist and shoulder had begun to bother me with the tale-tale signs of a RSI…bummer! I decided to take a project-free vacation and packed no knitting and no spinning, determined to rest my right arm. After coming home and spending another week in stretching, yoga and using a heated massager borrowed from my kind neighbor (and not knitting and not spinning). I was feeling a bit better but not much.

 

Long-draw to the rescue!

Then it came to me, I would experiment with ‘long-draw’ fiber drafting where I could use my very sound and un-irritated left arm and hand with minimal effort from my right. Long-draw and You Tube to the rescue! After watching two very helpful videos – one by Spindlicity, with multiple fiber types and approaches, and another by Long Draw John, with a focus on using merino roving – I was ready to try the challenge. I decided to card up a few rolags: blending some roving from my wool box stash: fuchsia, red and pink for one set and pale yellow, blue and white for the other. Voilà! My color inspiration from the garden turned into my first long-draw skein 🙂

Here's my Long Draw Bean Skein inspired by the beautiful colors of the Borlotti Bean hull.

Here’s my Long Draw Bean Skein inspired by the beautiful colors of the Borlotti Bean hull.

A Bean Bag!

What to make with this scant 40 meters of yarn? It had to be something quick and easy on larger diameter needles. Something that wouldn’t aggravate my irritated appendage but still satisfy my stymied creative energy. I found the perfect solution in what I decided to call my ‘bean bag’! A wonderful bag pattern by VERONIKA just called for a stockinette or garter stitch rectangle with a width length ratio of 1:3. I washed and dried my skein and cast on 25 stitches on U.S. #8’s and got going. The very fast (and wrist friendly) result was this little bag that’s just the right size to hold two little balls of sock yarn!

My Borlotti Bean Bag with an antique shell button and an I-cord strap will be a great way to take summer's color inspiration from the garden on into the cold Lombard winter!

My Borlotti Bean Bag with an antique shell button and an I-cord strap will be a great way to take summer’s color inspiration from the garden on into the cold Lombard winter!

 
Last but not least, a little more color inspiration from the beautiful landscape of Piedmont’s Val Formazza:

A Great End of Summer Offer

Stripes and Lace

Here’s a great opportunity to have what I think of as one of this summer’s “must have” knitting patterns for free from now through Sept. 7th! This tee showcases a mix of stripes and lace that can be either elegant or spirited depending on your color choices. Now’s your chance to get started on a wonderful End of Summer project and take a look at some of the other wonderful Jenjoyce Design patterns. Happy wool-working!

Jenjoyce Design's Penny Candy Tee!

Jenjoyce Design’s Penny Candy Tee!

Free through September 7th

“Dear Knitters ~~ Do you love stripes? Do you love lace? Do you love to wear light-weight hand-knits in the sunshine? Would you like to put them all together in a cute sweater for you, for your daughter, or grand-daughter, niece, or friend? Great, because from now (officially Labor Day weekend) through the first week of September ~~ September 7th ~~ I am offering to gift this pattern to all who participate in the promotion.” – to find out how, click on the link below:

http://jenjoycedesign.com/2014/08/29/for-knitters-penny-candy-tee-end-of-summer-promotion/

Card(ing) Shark…well it does have ‘teeth’

Colors I carded by blending with my new Ashford Carders (and the help of my little girl :)!

Colors I carded by blending with my new Ashford Carders (and the help of my little girl :)!

That’s Carders not Kardashian (sorry Kim – blending wool is way more interesting!)

Who needs superstar gossip when we can talk about carding! I’ve been having loads of fun with my new Ashford carders, a gift from my lovely mother who is a very talented fiber artist and who always encourages my varied forays into fiber world.

Learning how to blend with carders

Here's my sweet girl who loves to help with my wool projects wearing her 'cloud sweater' which I designed and spun the wool for.

Here’s my sweet girl who loves to help with my wool projects wearing her ‘cloud sweater’ for which I designed and spun the wool.

I found a great blending tutorial at Knitty, opened my boxes of colored and natural fluff some ordered from The Wool Box and some from Tricotin (from where I had also ordered the carders). Then I got started and with a little help from my daughter we went ‘batty’! When I had them all spun up and plied, my girl came up with the color names and I wrote the tags. Then, we sent the package off to my mom as a thank you and a way for all three generations to work on the same project. Robin and I can’t wait to see what she’ll make with our RBK yarn!

Dyeing to get started!

Happy and blue!

It has been months since I’ve posted but I have a wonderful excuse: I’ve been working on projects, and better yet I’ve been learning new things :)! I finally did some dying with indigo like I learned in the first workshop:

IMG_1160

My hand spun mohair dyed in the organic indigo vat – 100 g = 248 meters

Beautiful "Brogna" from The Wool Box came up this lovely 'vintage' indigo color.

Beautiful “Brogna” from The Wool Box came up this lovely ‘vintage’ indigo color.

Melissa LaBarre's lovely pattern "Madigan" with a few modifications...

Melissa LaBarre’s lovely pattern “Madigan” with a few modifications…

I also attended a second workshop on warm colors – using weld and madder –  taught by the inimitable Andie Luijk of Renaissance Dyeing. We also learned about using iron, ash water and copper modifiers.  Wow! It was too much fun 🙂IMG_0483
IMG_0479
 ………………………………………..In the end, I had so many short yardage samples that I decided to splice them all into a single ball – something my mother did for me when I was a kid and learning how to crochet. Now I read that they’re calling it “magic ball”, a fun new name for a time-tested way to use up leftovers.

I decided to use my magic ball as one of the colors in a new iteration of Marylene Lynx’s “Camille” – I loved the first one that I made earlier this year and I’m having lots of fun with this new color combination!

My first go at "Camille" completed this spring.

My first go at “Camille” completed this spring.

I have been up to much more since April and will try to get some more of it posted in the coming days. Meanwhile, thanks for reading and Happy Woolworking!

Purl side of my newest "Camille" - still rumpled and with the lace to go but I'm sure it will all come out in the blocking :)!

Purl side of my newest “Camille” – still rumpled and with the lace to go but I’m sure it will all come out in the blocking :)!

Playing (and plying) with my new toy!

Yes, I got it for Christmas but I didn’t tell you and now it’s already Spring! My husband gave me a Bumble Bee from Bluebonnet Spinning Wheels in Texas. The trick is that we live in Italy and they don’t do international shipping…but I have a splendid Mother in Law who carried it as ‘additional baggage’ when she came for a visit in January and I’ve been happily playing and plying with it ever since (and working on a few other things too…) Here’s a sneak peek at just a few of the things in my basket…

A few of the projects hat I've been working on, from upper left: Toe up socks with gusset heel, Dutch Lace Shawl, Josephine Jaquard socks. Lower left, Sunset over Lago Maggiore (an art yarn project), 200 yards of Southafrican Mohair and me at my new wheel with a lap full of Extra-Fine merino.

A few of the projects that I’ve been working on, from upper left: Toe up socks with gusset heel, Dutch Lace Shawlette, Josephine Jacquard socks. Lower left, Sunset over Lago Maggiore (an art yarn project), 200 yards of South African Mohair and me at my new wheel with a lap full of Extra-Fine merino.

I’ve also spent a fair amount of time working on projects for friends so I’ve built up a stack of WIP’s that go beyond what’s pictured above…in fact, in addition to the 2 pairs of socks, there are 2 shawls and 2 sweaters (one made with handspun Norwegian Moorit Brown 2-ply). I’ve dedicated myself to finishing at least one of each thing before I cast on anything new even though I’m dying to get started on JenJoyce Design’s “Una Cosettina” although I haven’t decided if I wan’t to use the Oropa 1-ply yarn that they were designed for or something from my lovely (albeit small and as yet untouched) stash of Hélène Magnússon’s  Grylammm better get knitting so that I can get started on those before the fall!